柬埔寨人民将传统舞蹈带到华盛顿 分享到
Cambodian Masked Dance Comes to D.C. 2019-09-1226439

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The graceful hand gesture and expressive faces of these amateurs are all part of the ancient Cambodian dance, called Lakhon Khol.
优美的手势、动人的表情,这些业余爱好者表演的是柬埔寨传统舞蹈,面具舞。
This performance is part of the annual Cambodian culture festival that happens annually in Silver Spring, Maryland, near Washington DC.
这场舞蹈是一年一度的柬埔寨文化节的一部分,每年都会在靠近华盛顿特区的马里兰州银泉市举行。
The event brought artists and vendors from all across America to celebrate Cambodia’s rich heritage.
这次活动吸引了来自美国各地的艺术家和摊贩来庆祝柬埔寨的丰富文化遗产。
This is the first time that I’ve seen the Lakhon Khol in America.
这是我第一次在美国看到面具舞。
They are doing a great job of preserving my culture civilization and they are doing a good job and that makes me very happy.
他们在保护我们的传统文化方面做得非常好,这让我很开心。
The organizer of Cambodian Community Day says it’s an honor to help keep the ancient traditions alive.
柬埔寨社区日的组织者说,很荣幸能为保护传统文化出一份力。
Lakhon Khol is an art that seems to have almost disappeared.
面具舞是一种几乎消失的艺术。
UNESCO recently listed Lakhon Khol as a cultural heritage that needs immediate protection, so it’s really an honor for us to help bring it back to life.
联合国教科文组织(UNESCO)最近将面具舞列为需要立即保护的文化遗产,因此我们非常荣幸能够让面具舞恢复生机。
This is our biggest production in 19 years.
这是我们19年来最大的成就。
This early Angkoring art form was almost completely wiped out by the Khmer Rouge regime in the late 1970s.
这种早期的吴哥艺术在70年代末几乎被柬埔寨极左势力彻底消灭。
It bent the study of the dance and killed at least 1.7 million people, including dancers, artists and writers.
它扭曲了对舞蹈的研究,造成至少170万人死亡,其中包括舞蹈演员、艺术家和作家。
The dancers are exclusively male.
面具舞的表演者都是男性。
They wear masks and perform a Cambodian version of the classic Indian folk tale of Ramayana,
他们戴着面具,表演柬埔寨版的经典印度民间故事《罗摩衍那》,
the story of a prince who enlists the help of an armies of monkeys to rescue his wife from a demon.
讲的是一个王子在一群猴子的帮助下从恶魔手中救出妻子的故事。
The performers can speak in Lakhon Khol, so there is a recorded or live narration.
表演者可以在面具舞中说话,因此一般采用录音或现场叙述。
That makes the dance and body language crucial to telling the story, depicting emotions like anger and love.
因此,舞蹈和肢体语言对于讲述故事、描述愤怒或爱等情感至关重要。
The dance master Societah Ung is originally from Battambang Cambodia.
舞蹈大师苏契塔·恩的原籍是柬埔寨马德望。
He told VOA one of the biggest challengers was recruiting enough male dancers then training over 30 performers,
他对美国之音说,最大的挑战之一是招募足够的男舞者,然后培训30多名表演者,
most of whom were not professional dancers.
大多数人都不是专业舞者。
He also had trouble finding traditional costumes and jewelry from Cambodia.
他也很难从柬埔寨找到传统服装和珠宝。
It’s hard to find professional dancers, even when I do some of them aren’t interested in doing Lakhon Khol.
很难找到专业的舞者,有时候找到了他们对面具舞也不感兴趣。
I only want people who are interested, whether or not they can dance.
我只想招募那些真正喜欢面具舞的人,不管他们会不会跳舞。
I am willing to take the time to simplify some of the dance move and teach them.
我愿意花时间去简化舞蹈动作然后教他们。
The performance, Ung said, was a success.
恩说,这次表演很成功。
I’m so happy.
我很高兴。
All of my student did a great job today.
今天所有的学生都表演的非常好。
I’m also grateful that I have five students from other states, three from Lowell, Massachusetts, one from Atlanta, Georgia and one from Seattle, Washington.
我特别感谢5个来自其他州的学生,三个来自马萨诸塞州的洛厄尔,一个来自佐治亚州的亚特兰大,一个来自华盛顿州的西雅图。
And the crowd was as pleased as the dance master.
观众也和这位舞蹈大师一样开心。
I’m very proud that Cambodians here are able to organize and perform Lakhon Khol.
看到柬埔寨同胞在这里组织和表演面具舞,我很自豪。
I’m Chetra Chap for VOA news, Silver Spring.
我是美国之音的切特拉,银泉报道。

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